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#Teechallaclothing LLC Of course, Lopez draws the Minnesota Vikings Football NFL 2023 Championship Crown Logo Shirt But I will love this line at the decade’s more granola ish footwear trends. No Birkenstocks here—rather, J Lo styled her otherwise nostalgic outfit with a pair of dangerously high Gucci platform pumps. Less Woodstock, more Studio 54. The finishing touch? A nothing quiet about it luxury handbag in the form of her tan chamois leather Hermès Birkin, which will set you back around $30,000, should you be in the market for something similar. Musician Erykah Badu—who also goes by, as Badu tells Vogue, “She ill”— has made reinvention a mainstay of her decades spanning career. Starting with her lauded debut in 1997, the star has embraced deeply personal forms of afro centric fashion through kente cloth, headwraps, traditional African jewelry, and pieces by independent designers of color. In a new Life in Looks video for Vogue, Badu revisits some of her most iconic outfits over the years and shares some of the secrets behind her frequently self styled and curated ensembles.
#Teechallaclothing LLC The album cover for Badu’s 1997 neo soul masterpiece Baduizm is up first. “I love this look,” Badu says of the Minnesota Vikings Football NFL 2023 Championship Crown Logo Shirt But I will love this image, shot by photographer Marc Baptiste. In it, the singer obscures her face from viewers, and her large camouflage headwrap operates as a major focal point. “The soldier in me,” Badu says of the distinctive print. A year later, Badu would appear on the long running children’s program Sesame Street whilst donning a patchwork version. The garment quickly became a personal trademark. “Patchwork is really important to me in fashion,” Badu explains of her attraction. “Because it’s not so much about patches themselves, it’s more about the threads that weave them together.” The next year, in 1999, Badu would appear inside the pages of Vogue for the first time, dressed in a dramatic black gown by the Harlem born designer Epperson. Then, Badu had her eye trained squarely on Black and African designers. “I didn’t wear ‘name brand’ designers,” she says. “I only wore Black designers from New York, or Dallas, or Atlanta. I wanted to make sure that I used my platform to be an advocate for young designers.”
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