Sam HyltonRight, we need you to be able to breathe. Does being a host impact the design decisions you’re making? Definitely. There are things we’ve considered, like not having an overwhelming neckline or long train. I’ve been doing glove fittings, which I’ve never done before. We wanted to make them so that there’s a little nail showing. The corseting is why I fell in love with him, but it can’t be too tight, because, you know, I don’t want to fall over. And then we’re also doing an after party dress, with a little rose on it as an ode to Chanel. Oh, I would be absolutely beside myself. Kid me was well beyond her years. I briefly changed my name when I was little to Chloet, because it sounds like Choupette, Karl’s cat. I think I used to say something like, “Fashion before death!” as a kid, like if wearing a jacket was going to ruin my outfit or something. For most people, nailing the perfect look for the Met Gala is hard enough. But Cardi B tripled that task on Monday night between leaving her hotel and the end of the Met Gala, Cardi wore three looks.
She kicked things off when she left the Mark Hotel on the Upper East Side wearing a colorful pink look by Miss Sohee, which featured a dramatic headpiece. Then, inside her sprinter van, the performer changed into her next look a black and white number by Chinese designer Chen Peng. While talking to Vogue livestream host LaLa Anthony, Cardi explained that she wanted to reference both the enduring Chanel quilted purse and the iconic wardrobe of late designer Karl Lagerfeld, the subject of tonight’s celebrations, with her second look. She highlighted the bottom half of the structural and voluminous skirt, which was influenced by the quilted bags. On top, Cardi wore a very Lagerfeld esque tailored button down and tie. “I’m representing the house of Chanel and Karl at the same time,” Cardi said.
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